Quarta-feira ele foi à caça!
Numa quinta ( propriedade rural ) ele matou um coelho!
Numa cesta ( utensílio próprio para a guarda de objetos diversos, feito de fibras entrançadas, provido ou não de alças e/ou tampa, conforme o uso; cesto. ) levou pra casa…
e. no dia seguinte o comeu!
Portanto, comeu na QUINTA-FEIRA!!! ( alternativa B )
Lagarta_5gomos_COM_flor + Lagarta_5gomos_COM_flor + Lagarta_5gomos_COM_flor = 21
portanto, Lagarta_5gomos_COM_flor = 7
Relogio_6_horas + Relogio_6_horas + Lagarta_5gomos_COM_flor = 19
portanto, Relogio_6_horas = 6
FlorSimples + Relogio_6_horas + Lagarta_5gomos_COM_flor = 15
portanto, FlorSimples = 2
Lagarta_6gomos_SEM_flor + FlorDupla X Relogio_5_horas = ?
6 + ( (2 + 2) X 5 ) = ?
6 + ( 4 x 5 ) = ?
6 + 20 = 26
289 = Um numero correto no lugar certo. –> Pode ser qualquer um: 2, 8, 9!
215 = Um numero correto mas no lugar errado. –> Inviabiliza o 2 da dica anterior. 1 e 5 podem estar corretos!
942 = Dois números corretos mas no lugar errado. –> Indica que o primeiro numero deve ser o 4 e o último deve ser o 9 (pela dica #1). 4?9 por enquanto!
738 = Nada está correto. –> Só confirma o que sabemos até aqui. Falta descobrir o número do meio.
784 = Um número correto mas no lugar errado. –> Confirma o 4 como primeiro número.
Reanalisando a dica#2: 215 = Um numero correto mas no lugar errado. –> concluímos que o número correto no lugar errado é o 5.
Portanto, o código = 459
2Tênis + 2Tênis + 2Tênis = 30
portanto, 2Tênis = 10
portanto, 1Tênis = 5
Menino + Menino + 2Tênis = 20
portanto, Menino = 5
2Fitas + 2Fitas + Menino = 13
portanto, 2Fitas = 4
portanto, 1Fita = 2
1Tênis + Menino_com1FitaemCadaMao_com2Tênis X 1Fita = ?
5 + ( (5 + 2 + 2 + 10 ) X 2 ) = ?
5 + ( 19 X 2 ) = ?
5 + 38 = 43
2botas + 2botas + 2botas = 30
portanto, 2botas = 10
portanto, 1bota = 5
robô + robô + 2botas = 20
portanto, robô = 5
2litros + 2litros + robô_com_2litros = 17
portanto, 2litros = 4
( portanto, 1litro = 2 )
( portanto, 3litros = 6 )
1bota + robô_com3litros_com2botas X 1litro = ?
1bota = 5
robô_com3litros_com2botas = 5 + 6 + 10 = 21
1litro = 2
então, 5 + ( 21 x 2 ) = 47
The 10 best classical music tear-jerkers
Because this is an opera, someone has to die. Unfortunately for poor Mimi in Puccini’s La Boheme, it’s her. Not only is she separated from her true love, riven with consumption and hacking into her hanky like an audience member in Who Wants To Be A Millionaire?, she’s also decided that Rodolfo is her one true love – here, the two of them reminisce as Mimi meets her tragic end…
2. Wolfgang Amadeus Mozart – Requiem Mass in D minor
It’d be nice to think that the rather more dramatic scene depicted in Amadeus, where Mozart on his death bed blurts out his last ever composition to an eagerly transcribing Salieri, was exactly how it happened. However, it’s widely accepted now that it was a rather more sedate affair – Mozart slipped away in the night, and a fellow composer, Franz Sussmayr, assembled the broken fragments and finished it off (in fact, he actually did most of the work on the piece).
3. Edward Elgar: Nimrod from the Enigma Variations
Each of Elgar’s 14 Enigma Variations are inspired by one of his friends or family – which perhaps doesn’t sound like a sad topic… But the beautiful, moving melody of the ninth variation in the set, ‘Nimrod’, is a soaring tune that has sadness at its core. Over the years it has struck a chord with audiences looking for a way to express sadness and grief: it’s regularly performed at Remembrance Day services, for example. Elgar’s Nimrod – Carducci QuartetA stunning string quartet rendition of Elgar’s Enigma Variations.v
4. Samuel Barber – Adagio for Strings
You might know this one from some of the key scenes in Oliver Stone’s less-than-cheery Vietnam epic Platoon. You might also know it from how it makes you want to curl up on the kitchen floor and sob into a dishcloth.
5. Tomaso Albinoni – Adagio in G minor
It’s a staple here at Classic FM, but to do justice to Albinoni’s Adagio you really do have to put your headphones in, imagine life in sepia and think back to that time the family pet was put down.
6. Johann Sebastian Bach – Come, Sweet Death
With a title like that, it’s unlikely that you’ll be skipping down the street with this pumping from your iPod. No, we recommend some dark clothing, a stiff drink and possibly some more gentle sobbing. Good luck, everybody.
7. Edward Elgar – 2nd Movement, Serenade for Strings
Even if it doesn’t, this belter of a second movement is premium lip-wobbler material. Watch out for the tingly high strings in the middle. Hankies at the ready…
8. Henryk Gorecki – Symphony of Sorrowful Songs
If any piece deserves the label ‘modern classic’, it’s this. Gorecki used the words etched into the walls of a Gestapo prison by an 18 year old girl during the Second World War as his inspiration, and the results are as chilling as they are moving.
9. Henry Purcell – Dido’s Lament (When I Am Laid In Earth, from Dido and Aeneas)
No, it’s not an account of the popular late-90s singer’s descent into obscurity, it’s actually one of Henry Purcell’s most poignant compositions. Taken from his opera Dido and Aeneas, it comes as Dido (not that one) is preparing to face her imminent death.
And here’s Trevor Pinnock talking about exactly why this piece breaks your heart every.single.time.
10. Pyotr Ilyich Tchaikovsky – Symphony No. 6, fourth movement
Almost everything Tchaikovsky wrote has an element of sadness to it, but this one really takes the biscuit. Dedicated to his nephew, with whom he was controversially in a secret relationship, it is shot through with regret, sadness and loneliness. Listen to the heart-wrenching fourth movement below the pic of Tchaikovsky and his nephew.
Right – to bring you up to speed, Rigoletto’s daughter has been stabbed and placed in a bag. Rigoletto has been given said sack thinking it contains the body of his nemesis, The Duke of Mantua. He opens the bag to discover his dying daughter dressed as a man (don’t ask) instead, and they sing this heartbreaking duet together as she dies. Blimey.